| Note: | Edition: (200) + 50 copies for the artist. The four works stapled to the extreme edges, as issued. The photos printed on 'Kodak Royal Paper', the silkscreen-sheets printed recto and verso, one silkscreen-sheet monogrammed, titled and dated '1994' in pencil recto, annotated '35/50 E.A.' verso, the other sheet shows 3 circular holes. *Starting out as an abstract painter interested in the cultural and political connotations of colors, Roy Villevoye began working with photography, installation, and video in the mid-`90s, often making works based on his stays in the Asmat region of New Guinea. Villevoye confronted his position as (potentially) neo-colonial outsider by taking frontal photographs of Papuans holding sheets of paper in magenta, cyan blue, and yellow-the primary colors used in printing. |
